Continuing on the theme of Mikael Kivimäki’s blog post about "That scene", Salomon and Salvador talk about their favourite or least favourite moments in the play for their own characters.
“Welcome to the Paradox Gala,” says Salomon Marttila. “The awards for Favourite and Least Favourite Moment both go to... The speech. In it, I address all topics relevant to me (as Ned) in a profound journey from heaven to hell via the coffee table. It's a beast of a monologue that's always intimidating to confront, but enjoyable to ride once I've got it submitted to my will. This part, even as primarily a solo moment, represents to me the magic of acting: getting lost in the zone and tapping into deep emotional vulnerability. It's equally easy and hard, fun and terrifying, love and hate – all those great paradoxes that make theatre.”
Salvador Esparza’s favourite moment is at the very end of the play: “Working on this play has been an incredible opportunity to figure out how to convey very complex and soul-deep emotions without the use of spoken or written language. I don't want to spoil too much, but at the very end, Jan's life is forever changed, and it all hinges on a couple of small mouth sounds....”
And soon you’ll be able to read more about the challenges and rewards of acting without words in an upcoming blog post, from the perspectives of both the actors and director.
Photos from the last rehearsal taken by Anni Taponen